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Experience Gertrude Stein’s Paris: Picasso, Matisse and Other Stein Favorites Reunited at the Grand Palais

It’s 1905 in Paris. Visitors to the Salon d’Automne are outraged. Who is that flamboyant woman with the audaciously colorful hat? Or rather who could have painted such a daring work? Matisse’s Woman with a Hat shocked most viewers. However, it was avidly appreciated, and swiftly purchased, by two new art connoisseurs; Gertrude and Leo Stein, sparking a fabulous legacy of 20th century art patronage and perhaps the greatest collection of Modern art of the era. This collection is currently brought together for the first time in decades in Paris, in a special exhibit at the Grand Palais.

The Stein family, based in San Francisco, first came to Paris in 1878 when the siblings Gertrude, Leo and Michael were still children. This initial visit must have struck a cord, as they each eventually gravitated back to Europe as adults by 1904. Having sold off their family’s holdings back in the U.S., the Steins could live a comfortable bohemian life in Paris and were quickly drawn to collecting art.

The Grand Palais exhibit opens with some fine examples of their earliest acquisitions, several works by late impressionist masters, in particular Renoir and Cezanne, purchased during their first visit to the Salon d’Automne in 1904. These works would not only adorn the walls of the Steins’ respective apartments on rue Madame and rue Fleurus, they would also serve as inspiration for the next generation of young artists who started frequenting the Steins’ Saturday night Salons, lively evenings of conversation and debate over the ensuing new ideas of the modernist movement.

The next year’s Salon d’Automne also featured the more “traditional” artists, however, just as the impressionists had shocked the art world with their innovative works forty years prior, new artists such as the bold Fauves were causing a stir. While it was Gertrude and Leo who purchased Matisse’s aforementioned masterpiece, it was Michael and Sarah who became avid collectors and friends of the artist. Over the next few decades, they almost exclusively focused their collection on his works, many of which are shown here, several displaying the unique bond Matisse had with Michael and Sarah such as the two portraits he made of them and some paintings featuring their son Allan.

Matisse might have been one of the most important leading artists of the turn of the 20th century, however, he was fervently rivaled by another visionary artist; Pablo Picasso – who in turn was greatly supported by Gertrude and Leo. Gertrude first met Picasso in 1906 and they quickly formed a strong, if not turbulent, friendship. The exhibition features a number of wonderful Picassos from their collection, including the imposing Cezanne inspired pre-cubist portrait of Gertrude, but perhaps the most intriguing are eight original sketches and studies for Picasso’s first cubist work Les Demoiselles d’Avignon (1907), tightly displayed together on one wall, just as they might have been hung on the walls rue Fleurus. Continue Reading »

Posted in Arts, Events, Tours and Classes | 5 Comments »

Midnight in Paris: Indulging the Ex-Pat Fantasy with Woody Allen

Woody Allen’s latest film, Midnight in Paris, is about – what else? Midnight in Paris! Inspired by her recent run-in with the director himself, Tory reminisces about how living the romantic, literary dream also means taking stock of the realities of life in the city of lights… -Geneviève

Film still from Midnight in Paris

“I don’t deliberately make a film a year, but that seems to be what happens,” Woody Allen told me when I caught up with him at an event last December in New York. “Eventually I will stop working or keel over, but so far everything’s been going along fine.”

At the time, he had just wrapped Midnight in Paris, which headlined this year’s Cannes Film Festival in May (and is now in theaters in France and the United States). I had been anticipating this film ever since my friend caught a glimpse of the crew shooting on one of the quais last fall, and I was curious to see how Allen would interpret (or misinterpret) Paris.

Pierre Guy, Confucion

In short, Midnight in Paris follows Owen Wilson’s character, an earnest American novelist, as he is unexpectedly lured into a magical world, populated by the likes of Hemingway, Fitzgerald, Picasso, Gertrude Stein, Dalí, Luis Buñuel, Man Ray, T. S. Eliot, and the list goes on. Late in the film, a spin through the Belle Epoque has Wilson rubbing shoulders with Gauguin, Degas and Toulouse-Lautrec.

Like many of Allen’s films, the whole thing was pretty far-fetched, but I must admit, it totally captivated me in the watching. More importantly, it made me laugh at myself—if only because it played with so many of the stereotypes that lure starry-eyed Americans (myself included) to Paris. Owen Wilson’s literary-inspired naïveté struck a serious chord with me. It’s no coincidence that when I first arrived, I named my blog A Moveable Beast in honor of the bohemian, writer-ly existence I planned to cultivate. Continue Reading »

Posted in Arts | 16 Comments »

Cemeteries of Paris: Where the French Lay Their Heads

croix-horizPere Lachaise  - didiergauducheau.com

Text by Simone Blaser

It has to be said.  There is only a smattering of spots in Paris that have attracted the crème de la crème of French society as steadily and as constantly as the Parisian cemeteries. Cimetière Montmartre, Montparnasse, and Père Lachaise all boast a “who’s who” of French history.

How different it feels to be in a French cemetery!  None of the sterility, none of the rows neat like lines of crops, less of the impending doom of the American graveyard.  In Paris, cemeteries are like outdoor museums filled with the sculpture-graves of the wealthy and important, myriad unknowns, and of course, intellectual artistic superstars.
Continue Reading »

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Posted in Parisian Living | 2 Comments »